Publicaciones

Commonality and variation in mental representations of music revealed by a cross-cultural comparison of rhythm priors in 15 countries

Nori Jacoby, Rainer Polak, Jessica A. Grahn, Daniel J. Cameron, Kyung Myun Lee, Ricardo Godoy, Eduardo A. Undurraga, Tomás Huanca, Timon Thalwitzer, Noumouké Doumbia, Daniel Goldberg, Elizabeth Margulis, Patrick C. M. Wong, Luis Jure, Martín Rocamora, Shinya Fujii, Patrick E. Savage, Jun Ajimi, Rei Konno, Sho Oishi, Kelly Jakubowski, Andre Holzapfel, Esra Mungan, Ece Kaya, Preeti Rao, Mattur Ananthanarayana Rohit, Suvarna Alladi, Bronwyn Tarr, Manuel Anglada-Tort, Peter M. C. Harrison, Malinda J. McPherson, Sophie Dolan, Alex Durango y Josh H. McDermott, 2024.

Nature Human Behaviour 8, 846–877 (2024)

Microtiming in the rhythmic structure of Candombe drumming patterns

Luis Jure, Martín Rocamora, 2022.

Aesthetics of Musical Timing: Culture and Expertise Affect Preferences for Isochrony but not Synchrony

Kelly Jakubowski, Rainer Polak, Martín Rocamora, Luis Jure y Nori Jacoby, 2022.

Cognition, Volumen 227, Octubre 2022

The piano drum style of Gustavo Oviedo, candombe master drummer

Luis Jure, 2022.

Seventh International Conference on Analytical Approaches to World Music — AAWM2022

The Interpersonal Entrainment in Music Performance Data Collection

Martin Clayton, Simone Tarsitani, Tuomas Eerola, Kelly Jakubowski, Laura Leante, Richard Jankowsky, Luis Jure, Martín Rocamora, Rainer Polak, Nori Jacoby, Adrian Poole, and Antonio Camurri, 2021.

Empirical Musicology Review, Vol. 16 No. 1 (2021)

Tempo, Micro–tempo and Dynamics in Uruguayan Candombe Drumming

Luis Jure and Martín Rocamora, 2020.

Sixth International Conference on Analytical Approaches to World Music — AAWM2020

carat: A toolbox for computer-aided rhythm analysis

Martín Rocamora y Luis Jure, 2019.

1st Analytical Approaches to World Music Special Topics Symposium — AAWM2019

Improvisation techniques of the repique drum in Uruguayan Candombe drumming

Luis Jure, 2018.

Fifth International Conference on Analytical Approaches to World Music — AAWM2018

Subir la llamada: negotiating tempo and dynamics in Uruguayan Candombe drumming

Luis Jure y Martín Rocamora, 2018.

Eight International Workshop on Folk Music Analysis — FMA2018

Timeline Patterns in Uruguayan Candombe drumming

Luis Jure, 2017.

44 th ICTM World Conference

Clave patterns in Uruguayan candombe drumming

Luis Jure y Martín Rocamora, 2017.

16th Rhythm Production and Perception Workshop — RPPW2017

Microtiming in the rhythmic structure of Candombe drumming patterns

Luis Jure y Martín Rocamora, 2016.

Fourth International Conference on Analytical Approaches to World Music — AAWM2016

Beat and downbeat tracking based on rhythmic patterns applied to the uruguayan candombe drumming.

Leonardo Nunes, Martín Rocamora, Luis Jure y Luiz W. P. Biscainho, 2015.

Proceedings of the 16th International Society for Music Information Retrieval Conference — ISMIR 2015

An audio–visual database of candombe of performances for computational musicological studies

Martín Rocamora, Luis Jure, Bernardo Marenco, Magdalena Fuentes, Florencia Lanzaro y Alvaro Gómez, 2015.

Congreso Internacional de Ciencia y Tecnología Musical — CICTeM 2015

Tools for detection and classification of piano drum patterns from Candombe recordings

Martín Rocamora, Luis Jure y Luiz W. P. Biscainho, 2014.

9th Conference on Interdisciplinary Musicology — CIM14

Principios Generativos del Toque de Repique del Candombe

Luis Jure, 2013.

La música entre África y América

Centro Nacional de Documentación Musical Lauro Ayestarán

¡Perico, suba ahí! – Pautación y análisis de un solo de repique de Pedro “Perico” Gularte

Luis Jure, 1992.

VII Jornadas Argentinas de Musicología y VI Conferencia Anual de la Asociación Argentina de Musicología

Los cortes de los tambores – Aspectos musicales y funcionales de las paradas en las llamadas de tambores afro-montevideanos

Luis Jure y Olga Picún, 1992.

VII Jornadas Argentinas de Musicología y VI Conferencia Anual de la Asociación Argentina de Musicología